FAQ

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A LUT, or «Look-Up Table», is a mathematical table or formula used in digital image and video processing. It maps input values to corresponding output values, making color grading and other adjustments easier. LUTs are widely used in film production, photography, and computer graphics to achieve precise color or tone transformations. These tables act as mathematical formulas that transform the color of the source image into new parameters of the resulting image. LUTs can serve technical purposes — such as converting between color spaces (like DJI D-Cinelike or D-Log, available in my shop) or monitor calibration. They can also be used creatively to give your video a specific style or a film-stock look.

Please refer to my Installation Guide, where I explain how to install my LUTs in DaVinci Resolve.

My LUTs are compatible with any software that supports .CUBE files. This includes popular tools such as DaVinci Resolve, Adobe Premiere Pro, Adobe After Effects, Adobe Photoshop, Adobe SpeedGrade, Final Cut Pro X, Avid Media Composer, Sony Vegas, Capture One, VideoLUT (iOS), LumaFusion (iOS) and many others.

My LUTs are designed to work with any camera recording in a Natural/Rec.709 profile. If you shoot in LOG/ProRes/RAW, apply my LUTs after the initial transformation of your footage — except for the technical LUT designed for DJI drones, which converts D-Log and D-Cinelike into Natural color space.

No, it's not required. You can shoot in either a flat or standard profile. If you shoot RAW/ProRes, perform basic correction first, then apply the LUTs from my pack. Note that RAW gives you more flexibility in color correction.

No — my LUT packs intentionally do not include technical LUTs, because they're specific to your camera and image profile. In most cases you can download them for free from your camera manufacturer's website. Links to popular camera brands: Sony: https://pro.sony/en_GB/support-resources/software/00263050 Fujifilm: https://fujifilm-x.com/global/support/download/lut/ Canon: https://th.canon/en/support/0200280402 Panasonic: https://clck.ru/3FMrhv

Absolutely! If you use software that supports .CUBE files — for example Adobe Photoshop CC — you can use my LUTs there without issue. You can also process photos in video-editing software like DaVinci Resolve or any other tool that supports .CUBE files.

Absolutely. My LUTs are designed to work seamlessly on any operating system — Mac or Windows.

A MOGRT (Motion Graphics Template) is a versatile file that can be used both in Adobe Premiere Pro and After Effects. These files have the «.mogrt» extension, are self-contained, and allow fine-tuned customization of complex animations.

Please refer to my Installation Guide, where I explain how to install my MOGRTs. Tutorial — Motion Graphics (Adobe).

A .drfx file is a Fusion Composition file used in DaVinci Resolve. It contains visual effects and motion graphics compositions created in Fusion software, which can be integrated into DaVinci Resolve for video editing and post-production.

Please refer to my Installation Guide, where I explain how to install my .drfx files. Tutorial — Motion Graphics (DaVinci Resolve).

To ensure your MOGRTs work properly, you need both Premiere Pro and After Effects installed on your system. For editable MOGRTs, you'll need Premiere Pro 2021 or later. It's also critical that these programs are set to English for the MOGRT templates to function correctly.

To ensure the animated templates work correctly, you'll need DaVinci Resolve 19.0 or later. However, these templates may run slower in DaVinci Resolve compared to other software — especially on less powerful machines. This is due to the complexity of Fusion compositions. My tutorial video shows effective ways to work with these templates despite possible performance limitations.

Yes. You can customize and use MOGRTs in After Effects. Just open the .mogrt file as a project in After Effects, right-click on the timeline, and choose «open in Essential Graphics». From there you can edit the MOGRT the same way as in Premiere Pro.

MOGRTs can be created in Premiere Pro or After Effects. Complex motion graphics templates are usually built in After Effects due to its broader capabilities. As a result, when you edit a MOGRT in Premiere Pro, After Effects runs in the background — consuming additional system resources and impacting performance.

No — currently the mobile version of Premiere Pro (Premiere Rush) does not support MOGRTs.

Absolutely. My Motion Graphics are designed to work seamlessly on any operating system — Mac or Windows.

No — the paid version is not required. My Text Motion Graphics templates work perfectly in the free version of DaVinci Resolve.

Yes — immediately after the purchase, you will be redirected to the course dashboard, and you will also receive an email confirmation.

This course is great for beginners — I made sure to break down each step into small parts so nothing is missed. And if you get stuck at any point, just shoot me a message on Instagram or email — I'm here to help you.

This course is excellent for several reasons. In our crowded niche, it's important to stand out. In my training, I cover complex topics that not every filmmaker uses in their work, making this product unique. This approach not only captivates my audience but also attracts brands and collaborators, helping me stand out and succeed in a competitive environment. I'm sure these methods can help you too.

Yes — automatic subtitles are available.

You will need a camera or mobile phone, a basic tripod, and editing software — I'll show examples of working in DaVinci Resolve. We'll also look at some additional devices.

The course is self-paced, allowing you to progress through the material at your own pace. The total duration of the masterclass does not exceed 2 hours.

Yes — you will have unlimited access to the materials, allowing you to return to them whenever you need a refresher or want to continue studying these topics.

No — our content is not downloadable, but you will have lifetime access to it as long as you have an internet connection.

This masterclass offers a unique combination of practical techniques, insider tips, and behind-the-scenes information gleaned from real-life experiences in content creation, working with brands, and creating viral content.